Tour of the Dollhouse

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Welcome.  We hope you enjoy your visit.

If you visit the house in the evening, the first thing you notice is the warm and welcoming glow as light pours out through the lace curtained windows. This is true of both the full size house and the miniature.  In this photograph, and all of the photographs on this tour, you are viewing only the scale model.
Lights from the twin sconces in the front hall show invitingly through the door's  side windows.
At the front of the house, between the first and second of four first floor north facing windows,  a small plaque is visible that shows the date of the home's construction: 1838
As you enter the house, you are greeted by a large foyer and a classic staircase leading to the second storey. Twin sconce lights and a hanging  brass and glass light fixture welcome you into the house. At the end of the hallway, you can see a cedar closet opened with a light inside. This closet serves as a coat closet for guests as well as family members.

The inside of the massive pegged front door  shows the old rim lock, the heavy brass key which, in full size, measures more than four inches in length.

When the door in the full sized house was stripped of paint, the signature of the man who built it was found under the paint. The legend reads "This was built and finished by Rufus N. Brown of Anson."  In order to preserve the signature, the door's interior was varnished instead of being repainted.

To the right, the east living room can be seen. It is a mirror image of the west living room. The dollhouse is furnished in as close as we could get to the way the real rooms are furnished. The color of fabrics may be different and also the rugs' patterns, but the general look of the rooms is very close to the  real  thing.

You will note heating grates on the floors throughout the house. These are made out of metal but, in the dollhouse, they are constructed from wood painted to look like metal.  The pictures throughout the dollhouse are photographs of the original paintings and each is framed as closely to the way they are framed in real life as possible.

This view of the east living room looking into the hallway shows some of the detail of the stair construction. In a reverse of the saying   "art imitating life," we actually made  a choice to have "life imitate art" when we realized that the spindles in the dollhouse were much better looking than those in the real house (which were not original) and we changed the full size ones to exactly match the miniature's.
From the west living room you can see into the east room through the double width archway. At one time the archway had two huge doors to close one room from the other. The doors were removed long ago when central heating was installed in 1920 making it less important to conserve the heat given off by each fireplace. Certainly, the advantage of having a space thirty feet long instead of only fifteen feet is a contributing factor in the gracious feeling one has upon walking into either living room. With the combined number of windows totally six, the rooms are light and airy. Each room individually  is exactly fifteen feet square.

This view of the west living room shows an interior shutter opened, ready to be closed over the window. The panel holding that window is in the "open" position causing the odd angle you see. When not in use, the interior shutters fold into the thick exterior walls.

The painting over the couch is by Israeli artist Itzchak Tarkay. There are a total of four of his paintings in the house.

A soft breeze from an open window billows the kitchen curtain inwards, exposing some items used in baking a pie you will see  cooling once you are inside again.

The kitchen is a central feature of the house.  It is a very large room with four large windows and a paned glass door as well as a working fireplace.

At the far end of the room the open door to the left gives a preview of the well stocked pantry. The door to the right leads you into the central hallway. The fireplace chimney wall obscures the view of the doorway into the formal dining room.

The massive central  chimney allows for three closets in the walk through to the dining room as well as the corner cabinet on the opposite side shown here. Throughout the entire dollhouse, all cabinets, whether you can actually reach them or not, are authentically filled with the items found in those same cabinets in the real house, whether dishes, linens, clothing or cleaning supplies.
And here is the pie cooling near the open window! The real sink is made of black slate. This miniature sink is constructed from wood painted to look like slate. Slate can not be cut thin enough to be in scale. After several years of trying to find a wall mounted faucet,  the man who is authentically restoring the full size house came to our rescue and made this  miniature faucet. His name is Galo Hernandez, III. Galo also constructed the date plaque and the brass mailbox near the front door, two other items we could not find that looked like our own. You will note that the drawers under the open window actually open.
Here is a view of a cabinet interior that holds mixing bowls , some serving dishes and pitchers.  The  colander on the counter has miniature string beans in it, seen better in the previous photograph. The small wooden bowl holds a tiny  SOS scouring pad.
The pantry, as seen from it's open exterior panel. Note the operating ceiling light and the linoleum floor.  The shelves are lined with staples and all cans and boxes have appropriate  labels from known companies on them. There is a six pack of Mug brand root beer,  a box of Morton's salt, Green Giant canned vegetables, Dole fruits, Smuckers' jams and jellies and various other familiar products. On the top two shelves are Ball jars with home made canned items such as green beans, peas and stewed tomatoes. Jars of pasta products are also kept here along with sugar and flour sacks to keep the miniature family happy during the long and snowy Maine winters.

The kitchen fireplace is a lovely feature of the house. There is nothing quite as wonderful as having burning logs crackling in the fireplace to accompany a period of cooking or baking in this lovely room.

Note the period fly swatter hanging from the door knob to the spice cabinet, a former ironing board closet.

The formal dining room has a built in dish cabinet. The dollhouse is equipped with sterling silver flatware and mouth blown wine goblets. The dishes are porcelain, made in a Lenox pattern (cream with a gold rim.) Service for twelve and all of the normal matching serving pieces were made for the miniature house by Sam Dunlop of Bar Harbor, Maine.
The sideboard fits nicely into the indented wall space that was created when the original "great room" was divided during the  Victorian era (1890s) when electricity and plumbing were added to the home.
The dining room dish cabinet is actually a fairly recent  addition. When we purchased the house in 1990, this space had housed a clothes closet.  We had the interior space squared off, removed the solid door, kept the door frame, had the decorative doors built and shelves constructed because of the need for additional storage space for a large collection of antique dishes.
The library is a favorite room. The one empty shelf, to the left of the photograph, will eventually house a miniature  CD player. The books in this room, and throughout the house, open to reveal individual pages. In all, there are in excess of two thousand-five hundred miniature books in the many bookcases throughout the house, basically the same number of real books in the full scale house.

Looking through the doorway, you can see the small hall that separates the  dining room from the bathroom and library.

From this view you can actually spot the Cuban mahogany  newel post of the main staircase.

At one time,  the dining room, library, small hall and bathroom had all been one huge "great room". The bird's eye maple floors have a pattern that runs throughout this entire section of the house. It is more visible in the later photos explaining how the floors were constructed.  The wall between the dining room and library is the only wall in the house that is not plaster and lath.

The bathroom light fixture makes a lovely pattern on the ceiling. The bottom half of the walls are white wainscoting. It is a relatively small but handy room to have as a second bath.

The dollhouse has fifteen electric circuits so that in any room, the ceiling light fixtures and the lamps are on different circuits making it possible to put lights on randomly throughout the house as they are used in real life. There is no such thing in this house as lights being either completely on or off.

Please note the wonderfully sculpted toilet seat. It is in exact scale, something never found in dollhouse miniatures. The credit for this creation, and the one for the second floor bathroom, goes to Galo. He sculpted them out of  sheet styrene. Most miniature seats are totally out of scale and look unacceptably clunky. The tank of the toilet hides a small sink on the same wall but closer to the door. The porcelain toilet bowl was made in China and the tank was reversed so that the curved front was facing backward. The tank was cut off and reglued in its correct position. This was done by our gardener and friend Maureen Bernard who had the proper tools to accomplish this very delicate operation.


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